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Sunday afternoon I caught the last performance of Gurnet Theatre's edition of The Complete Works of William Shakespeare, Abridged (Adam Long, Daniel Singer, Jess Winfield), at the Boston Playwrights Theatre. I hadn't realized how much of it is improv; definitely worth seeing again to see how others spin the text.

As billed, there's bits from all the plays, though this is made rather easier to fit into an hour an a half when most of the historicals turn into one football scene, and all the comedies are smooshed together into one very silly plot, which leaves a bit more time for the rest. Especially Hamlet, which takes up the second half, in a variety of bizarre permutations.

The original show has three actors. This show used seven, most of them rather young. I'd like to see the smaller show, see how that works out (I suspect having more experienced actors would help a lot here). Still, it was a fun romp.

Date: 2008-08-19 05:49 pm (UTC)
From: [identity profile] gnomi.livejournal.com
I hadn't realized how much of it is improv

As originally conceived, none of it is improv, actually. It's just done to *look* like improv.

And I'm surprised they did it with more than just three actors. I can't picture it, really, as anything beyond the three actors (plus whoever gets pulled up from the audience).

Date: 2008-08-19 06:11 pm (UTC)
From: [identity profile] magid.livejournal.com
Huh. The description in the program said something about improv (and I'm certain that Michael Phelps is not in the official script, for instance).

They pulled up an Ophelia, then Ophelia's id, and divided the rest of the audience into parts to be the ego and two parts of the superego. Wildly silly, but fun.

Date: 2008-08-19 06:22 pm (UTC)
From: [identity profile] gnomi.livejournal.com
The Ophelia bits and the ego/superego are standard in their Hamlet.

And they have some jokes that are designed to be updated for timliness, but in general there's not really any improv per se. In a recent podcast, the RSCers expressed some surprise that there's a belief that the show is mostly improv and hoped that companies licensing it weren't doing *too* much improv.

Date: 2008-08-19 08:44 pm (UTC)
From: [identity profile] rethought.livejournal.com
I'm on such a Shakespeare tangent at the moment.

I think I'd have thought it a great romp as well. :)

speaking of Shakespeare tangents

Date: 2008-08-19 08:54 pm (UTC)
From: [identity profile] magid.livejournal.com
I just read Orson Scott Card's* Magic Street, which has a bunch of Midsummery stuff in it.

* Disclaimer: I dislike his politics enough that I'll only read his stuff from the library (or otherwise borrowed or second-hand.

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